Partially
funded by:
The Connecticut Commission on the Arts Bermant Foundation-
Color, Light, Motion
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Invited artists and architects selected a number and designed the markers of time to be illuminated by the sound and light performance.Elements ranged from floating translucent house to electroplated fungus on glass, placed on the walls of the huge rock enclosure or floating on its reflective water.
David Connell 3:00pm
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The Sundial had two gnomons.One a pyramid created by ship masts installed on a small island in the quarry pond. The other was the quarry crane casting shadows on the vertical walls marking the hours as the shadow pointed to each sculpture.
Alison Sky 11:00am |
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The
Production Crew
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Norman
Ballard
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Project
Origionator & Creator of Laser Chronometer
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Joy
Wulke
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Project Origionator, Production Design, & Sculptor
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Jamie
Burnett
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Lighting
Design & Production Design
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David
Margolin Lawson
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Sound
Score
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Michael
Rush
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Cantor
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Jerry
Prell
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Orator |
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The
Hour Marker Artists
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Richard
Klein
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6
AM
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Miguel
A. Baltierra
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7
AM
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Christine
Flectcher Ingraham
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8 AM |
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Alan
Kolkowitz & Chris Kusske
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9
AM
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Gabor
Gergo
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10
AM
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Alison
Sky
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11
AM
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Gregory
Cameron Spiggle
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Noon |
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Susan
Farricelli
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1
PM
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Sam
Wiener
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2
PM
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David
Connell
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3
PM
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Jonathan
Waters
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4
PM
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Joy
Wulke
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5
& 6 PM
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The
Visualization of Time was reviewed in: |
| Concept
Statements - Joy Wulke & Norman
Ballard
Joy Wulke As the 20th Century comes to a close, it is time to evaluate and explore what time has rendered during the past 100 years and what we see as our future. Some may fear the future and hesitate to plan for it. Without the courage and tenacity needed to plan for and create a positive future we are helpless, with these skills we can employ or imaginative tools to make our visions real. Part of developing a positive outlook for our future is looking at our shared past. We are all subject to cycles of life. We are aware to f the passage of time through the natural sequence of the day and its diurnal play of sun, moon, and stars. As a visual trigger for dialogue on our interconnectedness with natural cycles, we have built a sundial in n abandoned quarry. A location that is emblematic of man's relation to the surface of the earth. The work is intended to offer a visual experience that blends nature, hand, and technology into a coherent statement about the beauty to be derived from the balancing of all three. This work was conceived of by Norman Ballard with his study of gnomonic time and creation of a laser chronometer and Joy Wulke who has used the visualization of time in her sculptural work for over fifteen years. By our enlivening of the half natural, half human created quarry landscape, participants are asked to remember their personal responsibility for the care of the earth, and to be aware of the ways in which we impose on it. The visual spectacle is meant to stimulate discussions of, and explorations into the ways in which our culture's collective hand can be either destructive or restorative. Norman Ballard From "The Ecology of Time" As our entire global culture's awareness, sensitivity, and perception of the passage of time is brought to the fore and essentially heightened by the approach of a new millennium, a review of he evolution of our communal relationship to time reveals the gnomon of the classic sundial to be a double edged sword. At one a means to manifest the ordered cycle of nature and the cosmos for us, it also functioned as the harbinger of man's perception of sequential time, of time as units of uniform duration. |
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